Showing posts with label ספר שמות. Show all posts
Showing posts with label ספר שמות. Show all posts

Tuesday, 23 January 2024

Blood on the Doorpost

 


Let's explore the meaning of the mitzva of Mezuza.

The first time this mitzva is mentioned is Devarim chapter 6

ד שְׁמַע, יִשְׂרָאֵל:  יְהוָה אֱלֹהֵינוּ, יְהוָה אֶחָד.  ה וְאָהַבְתָּ, אֵת יְהוָה אֱלֹהֶיךָ, בְּכָל-לְבָבְךָ וּבְכָל-נַפְשְׁךָ, וּבְכָל-מְאֹדֶךָ.  ו וְהָיוּ הַדְּבָרִים הָאֵלֶּה, אֲשֶׁר אָנֹכִי מְצַוְּךָ הַיּוֹם--עַל-לְבָבֶךָ.  ז וְשִׁנַּנְתָּם לְבָנֶיךָ, וְדִבַּרְתָּ בָּם, בְּשִׁבְתְּךָ בְּבֵיתֶךָ וּבְלֶכְתְּךָ בַדֶּרֶךְ, וּבְשָׁכְבְּךָ וּבְקוּמֶךָ.  ח וּקְשַׁרְתָּם לְאוֹת, עַל-יָדֶךָ; וְהָיוּ לְטֹטָפֹת, בֵּין עֵינֶיךָ.  ט וּכְתַבְתָּם עַל-מְזֻזוֹת בֵּיתֶךָ, וּבִשְׁעָרֶיךָ.

This paragraph is loaded with new mitzvot, according to the Sefer Hachinuch there are 7

  1. תיז. מצות אחדות השם
  2. תיח. מצות אהבת השם
  3. תיט. מצות תלמוד תורה
  4. תכ. מצות קריאת שמע שחרית וערבית
  5. תכא. מצות תפלין של יד
  6. תכב. מצות תפלין של ראש
  7. תכג. לקבוע מזוזה בפתחים
How are these mitzvas related to one another and what do they have in common?

Besides that, another question arises when we read the Ramban's introduction to Devarim.

הספר הזה ענינו ידוע שהוא משנה תורה יבאר בו משה רבנו לדור הנכנס בארץ רוב מצות התורה הצריכות לישראל ולא יזכיר בו דבר בתורת כהנים ולא במעשה הקרבנות ולא בטהרת כהנים ובמעשיהם שכבר ביאר אותם להם. והכהנים זריזים הם לא יצטרכו לאזהרה אחר אזהרה אבל בישראל יחזיר המצות הנוהגות בהם פעם להוסיף בהם ביאור ופעם שלא יחזיר אותם רק להזהיר את ישראל ברוב אזהרות כמו שיבאו בספר הזה בעניני עבודת גלולים אזהרות מרובות זו אחר זו בתוכחות וקול פחדים אשר יפחיד אותם בכל ענשי העבירות. ועוד יוסיף בספר הזה כמה מצות שלא נזכרו כלל כגון היבום ודין המוציא שם רע והגרושין באשה ועדים זוממין וזולתו. וכבר נאמרו לו כולן בסיני או באוהל מועד בשנה הראשונה קודם המרגלים כי בערבות מואב לא נתחדשו לו אלא דברי הברית כאשר נתפרש בו.


The Ramban says that many mitzvot are brought in Devarim for the first time, with no previous mention in the text of the Torah. Is that the case with Mezuza?

To explore this question, let's begin by looking more deeply at the mitzva of Tefillin. Tefillin scrolls contain the same two paragraphs from Devarim that a Mezuza does, but it also contains two paragraphs from sefer Shemot. Let's look at the first of these in Shemot chapter 13.

ח וְהִגַּדְתָּ לְבִנְךָ, בַּיּוֹם הַהוּא לֵאמֹר:  בַּעֲבוּר זֶה, עָשָׂה יְהוָה לִי, בְּצֵאתִי, מִמִּצְרָיִם.  ט וְהָיָה לְךָ לְאוֹת עַל-יָדְךָ, וּלְזִכָּרוֹן בֵּין עֵינֶיךָ, לְמַעַן תִּהְיֶה תּוֹרַת יְהוָה, בְּפִיךָ:  כִּי בְּיָד חֲזָקָה, הוֹצִאֲךָ יְהוָה מִמִּצְרָיִם.


Here we have a clear reference to tefillin! Why does the Sefer Hachinuch only count the mitzva in Devarim?

Looking at the Rashbam gives us the answer:

לאות על ידך - לפי עומק פשוטו: יהיה לך לזכרון תמיד, כאלו כתוב על ידך. כעין, שימני כחותם על לבך.

בין עיניך - כעין תכשיט ורביד זהב שרגילין ליתן על המצח לנוי.


The references to write the exodus on one's hand and between one's eyes is only a metaphor to keep the exodus in our minds and hearts always. It is only formalized into the Mitzva of Tefillin later in Devarim. Is it possible that the mizva of mezuza has a similar background?

We hear the term mezuza in the previous chapter of Shemot with regard to the Korban Pesach, and the one-time commandment to paint it's blood on the doorposts and lintel of our homes.

ז וְלָקְחוּ, מִן-הַדָּם, וְנָתְנוּ עַל-שְׁתֵּי הַמְּזוּזֹת, וְעַל-הַמַּשְׁקוֹף--עַל, הַבָּתִּים, אֲשֶׁר-יֹאכְלוּ אֹתוֹ, בָּהֶם.

יג וְהָיָה הַדָּם לָכֶם לְאֹת, עַל הַבָּתִּים אֲשֶׁר אַתֶּם שָׁם, וְרָאִיתִי אֶת-הַדָּם, וּפָסַחְתִּי עֲלֵכֶם; וְלֹא-יִהְיֶה בָכֶם נֶגֶף לְמַשְׁחִית, בְּהַכֹּתִי בְּאֶרֶץ מִצְרָיִם




What is this bloody practice? Some sort of magic? Rav Yoel Bin Nun suggests a more rational answer
מתוך: מאבק הזהות של משה: איזה ילד לא נימול, ומדוע? הרב יואל בן נון

האות הזה ניתן דרך בנו בכורו של משה דווקא, כי אחיו אשר במצרים היו נימולים, וזהותם הייתה ברורה. האות הזה של מלאך ה' למשה ("ויבקש המיתו"), עם דם הברית של "חתן דמים", מקביל, כמובן, למשחית שלא ייגוף את בני ישראל בזכות הדם על המשקוף ועל שתי המזוזות של הפתח במכת בכורות (י"ב, יג, כג), והוא הרעיון הידוע של "בדמיך חיי" (יחזקאל ט"ז, ו, לקראת הברית עם ה') – "דם פסח ודם מילה".


The blood on the doorpost represents the blood of the brit mila i.e. the covenant between God and the descendents of Abraham. By painting it on the door, the Israelites are creating a potent symbol that "this house is a house of the covenant". It is this dedication to God's covenant that saves them from the angel of death on the night of the final plague.




But then, what is the mitzva of Mezuza? Our most basic tenants of faith and dedication to the covenant are written on a scroll and affixed to the doorway to our home. The symbolism is clear: this home is not merely a mundane shelter for our bodies, rather it is a center for faith in God and dedication to his commandments. As with Tefillin, it would appear that we are given a Mitzva in Devarim that formalizes an important concept from the Exodus.

Sunday, 1 May 2016

Genesis and the Splitting of the Sea

This post is in memory of my mother, Shira bat Sarah, who passed away April 13th, the 5th of Nissan, תשע"ו. She always supported me in all my endeavors, Torah or otherwise, and she is dearly missed.

On the 7th day of Passover we read the parsha of the splitting of the sea, so lets talk about that. Having read Genesis, the splitting of the sea comes as a surprise. This is because Genesis has already told us twice what to expect from the Exodus.

The first time is implicit via the short story of Avraham's descent to Egypt(Genesis 12). This proves to be the blueprint for the Children of Israel's later sojourn there in the spirit of מעשה אבות סימן לבנים, as we saw previously

י וַיְהִי רָעָב, בָּאָרֶץ; וַיֵּרֶד אַבְרָם מִצְרַיְמָה לָגוּר שָׁם, כִּי-כָבֵד הָרָעָב בָּאָרֶץ. יא וַיְהִי, כַּאֲשֶׁר הִקְרִיב לָבוֹא מִצְרָיְמָה; וַיֹּאמֶר, אֶל-שָׂרַי אִשְׁתּוֹ, הִנֵּה-נָא יָדַעְתִּי, כִּי אִשָּׁה יְפַת-מַרְאֶה אָתְּ. יב וְהָיָה, כִּי-יִרְאוּ אֹתָךְ הַמִּצְרִים, וְאָמְרוּ, אִשְׁתּוֹ זֹאת; וְהָרְגוּ אֹתִי, וְאֹתָךְ יְחַיּוּ. יג אִמְרִי-נָא, אֲחֹתִי אָתְּ--לְמַעַן יִיטַב-לִי בַעֲבוּרֵךְ, וְחָיְתָה נַפְשִׁי בִּגְלָלֵךְ. יד וַיְהִי, כְּבוֹא אַבְרָם מִצְרָיְמָה; וַיִּרְאוּ הַמִּצְרִים אֶת-הָאִשָּׁה, כִּי-יָפָה הִוא מְאֹד. טו וַיִּרְאוּ אֹתָהּ שָׂרֵי פַרְעֹה, וַיְהַלְלוּ אֹתָהּ אֶל-פַּרְעֹה; וַתֻּקַּח הָאִשָּׁה, בֵּית פַּרְעֹה. טז וּלְאַבְרָם הֵיטִיב, בַּעֲבוּרָהּ; וַיְהִי-לוֹ צֹאן-וּבָקָר, וַחֲמֹרִים, וַעֲבָדִים וּשְׁפָחֹת, וַאֲתֹנֹת וּגְמַלִּים. יז וַיְנַגַּע יְהוָה אֶת-פַּרְעֹה נְגָעִים גְּדֹלִים, וְאֶת-בֵּיתוֹ, עַל-דְּבַר שָׂרַי, אֵשֶׁת אַבְרָם. יח וַיִּקְרָא פַרְעֹה, לְאַבְרָם, וַיֹּאמֶר, מַה-זֹּאת עָשִׂיתָ לִּי; לָמָּה לֹא-הִגַּדְתָּ לִּי, כִּי אִשְׁתְּךָ הִוא. יט לָמָה אָמַרְתָּ אֲחֹתִי הִוא, וָאֶקַּח אֹתָהּ לִי לְאִשָּׁה; וְעַתָּה, הִנֵּה אִשְׁתְּךָ קַח וָלֵךְ. כ וַיְצַו עָלָיו פַּרְעֹה, אֲנָשִׁים; וַיְשַׁלְּחוּ אֹתוֹ וְאֶת-אִשְׁתּוֹ, וְאֶת-כָּל-אֲשֶׁר-לוֹ.


The second time the Exodus is foreshadowed in Sefer Bereshit is in Avraham's vision at Brit Bein Habetarim (Genesis 15)

יג וַיֹּאמֶר לְאַבְרָם, יָדֹעַ תֵּדַע כִּי-גֵר יִהְיֶה זַרְעֲךָ בְּאֶרֶץ לֹא לָהֶם, וַעֲבָדוּם, וְעִנּוּ אֹתָם--אַרְבַּע מֵאוֹת, שָׁנָה. יד וְגַם אֶת-הַגּוֹי אֲשֶׁר יַעֲבֹדוּ, דָּן אָנֹכִי; וְאַחֲרֵי-כֵן יֵצְאוּ, בִּרְכֻשׁ גָּדוֹל.

Neither passage gives us a hint that the Splitting of the Sea is still to come. We're led to believe that the Egyptians will be punished, that Bnei Israel will leave Egypt for the Promised Land, and that they will do so with the riches they gained in Egypt. All this comes to pass and that should have been the end of our interaction with Pharaoh and his minions. Instead, Hashem instructs Moshe to set a trap for the Egyptians (Exodus 14), resulting in the destruction of Pharaoh and his fully assembled army.

א וַיְדַבֵּר יְהוָה, אֶל-מֹשֶׁה לֵּאמֹר. ב דַּבֵּר, אֶל-בְּנֵי יִשְׂרָאֵל, וְיָשֻׁבוּ וְיַחֲנוּ לִפְנֵי פִּי הַחִירֹת, בֵּין מִגְדֹּל וּבֵין הַיָּם: לִפְנֵי בַּעַל צְפֹן, נִכְחוֹ תַחֲנוּ עַל-הַיָּם. ג וְאָמַר פַּרְעֹה לִבְנֵי יִשְׂרָאֵל, נְבֻכִים הֵם בָּאָרֶץ; סָגַר עֲלֵיהֶם, הַמִּדְבָּר. ד וְחִזַּקְתִּי אֶת-לֵב-פַּרְעֹה, וְרָדַף אַחֲרֵיהֶם, וְאִכָּבְדָה בְּפַרְעֹה וּבְכָל-חֵילוֹ, וְיָדְעוּ מִצְרַיִם כִּי-אֲנִי יְהוָה; וַיַּעֲשׂוּ-כֵן.

I'd like to suggest that the message here is as follows. Up until this point, everything Hashem has done has been "in the merit of the fathers". The plagues, the Egyptian gold and silver, the Exodus- it is all being done because it was promised to Avraham. How is Kriyat Yam Suf different? It is extra. It is being done, not to fulfill a covenantal obligation, but solely for the sake of the generation of the Exodus. Specifically, Egypt's finest are mustered and crushed in order that Israel be freed from bondage not only physically, but psychologically as well.

יג וַיֹּאמֶר מֹשֶׁה אֶל-הָעָם, אַל-תִּירָאוּ--הִתְיַצְּבוּ וּרְאוּ אֶת-יְשׁוּעַת יְהוָה, אֲשֶׁר-יַעֲשֶׂה לָכֶם הַיּוֹם: כִּי, אֲשֶׁר רְאִיתֶם אֶת-מִצְרַיִם הַיּוֹם--לֹא תֹסִפוּ לִרְאֹתָם עוֹד, עַד-עוֹלָם. יד יְהוָה, יִלָּחֵם לָכֶם; וְאַתֶּם, תַּחֲרִשׁוּן.

In this sense, Kriyat Yam Suf is not part of the Exodus, the fulfillment of God's pact with Abraham, rather it is preparation for the next step, for Mount Sinai, God's new covenant with the Nation of Israel.

Friday, 18 March 2016

The Keruvim

Keruvim on the aron
The Keruvim are two winged creatures that appear in parshat Terumah as part of the Mishkan. There are two golden Keruvim on the cover of the Aron, and there are also Keruvim stiched into the 10 yeriot, the walls of the Mishkan.

The Problem


Keruvim on the aron and the yeriot
But isn't it strange that, right after receiving the 10 commandments and hearing the prohibition against idols and images, the Mishkan is build with two idols at it's very heart?

לֹא תַעֲשֶׂה לְךָ פֶסֶל וְכָל תְּמוּנָה אֲשֶׁר בַּשָּׁמַיִם מִמַּעַל וַאֲשֶׁר בָּאָרֶץ מִתָּחַת וַאֲשֶׁר בַּמַּיִם מִתַּחַת לָאָרֶץ.

Similarly, isn't it strange that, right after thousands are killed for the sin of the golden calf, we are instructed to build a mishkan with two golden images. 

Even more disturbing is the fact that Ezekiel implies that the Keruv is a winged Ox-like creature.

יחזקאל תיאר את ה"מרכבה" בצורה מפורטת יותר. בחזונו היו חיות המרכבה ארבע במספר – אחד של אריה, אחד של שור, אחד של נשר ואחד של אדם, ותכונותיהם המשותפות: גוף וידי אדם, רגלי פרסה של העגל וכנפיים. בתיאור אחר של החזון, מוחלפים פני השור בפני כרוב, ומכאן היו שהבינו שלכרוב צורה של שור.(מקור)
Kirubu at the Louvre
Finally, there is the observation that Keruvim sound mighty similar to  the "Kirubu" or Assyrian winged Ox type deity.

What all of these questions have in common is that the Keruvim seem a highly inappropriate choice to decorate the Mishkan and the Holy of Holies.


The First Keruvim


To understand the significance of the Keruvim in the Mishkan, let's go back to the first place they appear in the Torah, to the story of the Garden of Eden.
  "וַיְגָרֶשׁ, אֶת-הָאָדָם; וַיַּשְׁכֵּן מִקֶּדֶם לְגַן-עֵדֶן אֶת-הַכְּרֻבִים, וְאֵת לַהַט הַחֶרֶב הַמִּתְהַפֶּכֶת, לִשְׁמֹר, אֶת-דֶּרֶךְ עֵץ הַחַיִּים"
בראשית, ג', כ"ד
When Man sins and is expelled, the Keruvim are the guardians of the path to Gan Eden. What is their message in this context?

Mankind has an innate desire for Paradise. This desire has taken many forms over the ages, from ascetics that attempt to gain Paradise by withdrawing from this world, to warrior cultures who seek to attain Valhalla through their battle prowess, to secular Utopian movements who seek to build the perfect society through technology. Yet Paradise remains ever distant, obscure, ever unreachable.

The Keruvim of the Mishkan


The Mishkan addresses this basic Human desire with it's own Keruvim, as if to say, "Here lies the path to Paradise". The Torah redeems our innate desire for Paradise by directing it towards the Torah spoken to Moshe from between the Keruvim. One who desires Paradise should learn the Torah and uphold the covenant, symbolized by the Luchot Habrit contained within the Aron, supporting the Keruvim. In this way we may elevate Mankind and walk the path back to Eden.

Wednesday, 27 January 2016

Our Story is Written in Blood

The 10 plagues begin with blood and they end with blood. They begin with the plague of blood(Shemot 7), and they end with the blood of the Pascal lamb spread across the doorjambs(Shemot 12).
.



יד וַיֹּאמֶר יְהוָה אֶל-מֹשֶׁה, כָּבֵד לֵב פַּרְעֹה; מֵאֵן, לְשַׁלַּח הָעָם.  טו לֵךְ אֶל-פַּרְעֹה בַּבֹּקֶר, הִנֵּה יֹצֵא הַמַּיְמָה, וְנִצַּבְתָּ לִקְרָאתוֹ, עַל-שְׂפַת הַיְאֹר; וְהַמַּטֶּה אֲשֶׁר-נֶהְפַּךְ לְנָחָשׁ, תִּקַּח בְּיָדֶךָ.  טז וְאָמַרְתָּ אֵלָיו, יְהוָה אֱלֹהֵי הָעִבְרִים שְׁלָחַנִי אֵלֶיךָ לֵאמֹר, שַׁלַּח אֶת-עַמִּי, וְיַעַבְדֻנִי בַּמִּדְבָּר; וְהִנֵּה לֹא-שָׁמַעְתָּ, עַד-כֹּה.  יז כֹּה, אָמַר יְהוָה, בְּזֹאת תֵּדַע, כִּי אֲנִי יְהוָה:  הִנֵּה אָנֹכִי מַכֶּה בַּמַּטֶּה אֲשֶׁר-בְּיָדִי, עַל-הַמַּיִם אֲשֶׁר בַּיְאֹר--וְנֶהֶפְכוּ לְדָם.  יח וְהַדָּגָה אֲשֶׁר-בַּיְאֹר תָּמוּת, וּבָאַשׁ הַיְאֹר; וְנִלְאוּ מִצְרַיִם, לִשְׁתּוֹת מַיִם מִן-הַיְאֹר.  {ס}  יט וַיֹּאמֶר יְהוָה אֶל-מֹשֶׁה, אֱמֹר אֶל-אַהֲרֹן קַח מַטְּךָ וּנְטֵה-יָדְךָ עַל-מֵימֵי מִצְרַיִם עַל-נַהֲרֹתָם עַל-יְאֹרֵיהֶם וְעַל-אַגְמֵיהֶם וְעַל כָּל-מִקְוֵה מֵימֵיהֶם--וְיִהְיוּ-דָם; וְהָיָה דָם בְּכָל-אֶרֶץ מִצְרַיִם, וּבָעֵצִים וּבָאֲבָנִים.  כ וַיַּעֲשׂוּ-כֵן מֹשֶׁה וְאַהֲרֹן כַּאֲשֶׁר צִוָּה יְהוָה, וַיָּרֶם בַּמַּטֶּה וַיַּךְ אֶת-הַמַּיִם אֲשֶׁר בַּיְאֹר, לְעֵינֵי פַרְעֹה, וּלְעֵינֵי עֲבָדָיו; וַיֵּהָפְכוּ כָּל-הַמַּיִם אֲשֶׁר-בַּיְאֹר, לְדָם.  כא וְהַדָּגָה אֲשֶׁר-בַּיְאֹר מֵתָה, וַיִּבְאַשׁ הַיְאֹר, וְלֹא-יָכְלוּ מִצְרַיִם, לִשְׁתּוֹת מַיִם מִן-הַיְאֹר; וַיְהִי הַדָּם, בְּכָל-אֶרֶץ מִצְרָיִם.  כב וַיַּעֲשׂוּ-כֵן חַרְטֻמֵּי מִצְרַיִם, בְּלָטֵיהֶם; וַיֶּחֱזַק לֵב-פַּרְעֹה וְלֹא-שָׁמַע אֲלֵהֶם, כַּאֲשֶׁר דִּבֶּר יְהוָה.  כג וַיִּפֶן פַּרְעֹה, וַיָּבֹא אֶל-בֵּיתוֹ; וְלֹא-שָׁת לִבּוֹ, גַּם-לָזֹאת.  כד וַיַּחְפְּרוּ כָל-מִצְרַיִם סְבִיבֹת הַיְאֹר, מַיִם לִשְׁתּוֹת:  כִּי לֹא יָכְלוּ לִשְׁתֹּת, מִמֵּימֵי הַיְאֹר.  כה וַיִּמָּלֵא, שִׁבְעַת יָמִים, אַחֲרֵי הַכּוֹת-יְהוָה, אֶת-הַיְאֹר.  {פ}



ז וְלָקְחוּ, מִן-הַדָּם, וְנָתְנוּ עַל-שְׁתֵּי הַמְּזוּזֹת, וְעַל-הַמַּשְׁקוֹף--עַל, הַבָּתִּים, אֲשֶׁר-יֹאכְלוּ אֹתוֹ, בָּהֶם.  ח וְאָכְלוּ אֶת-הַבָּשָׂר, בַּלַּיְלָה הַזֶּה:  צְלִי-אֵשׁ וּמַצּוֹת, עַל-מְרֹרִים יֹאכְלֻהוּ.  ט אַל-תֹּאכְלוּ מִמֶּנּוּ נָא, וּבָשֵׁל מְבֻשָּׁל בַּמָּיִם:  כִּי אִם-צְלִי-אֵשׁ, רֹאשׁוֹ עַל-כְּרָעָיו וְעַל-קִרְבּוֹ.  י וְלֹא-תוֹתִירוּ מִמֶּנּוּ, עַד-בֹּקֶר; וְהַנֹּתָר מִמֶּנּוּ עַד-בֹּקֶר, בָּאֵשׁ תִּשְׂרֹפוּ.  יא וְכָכָה, תֹּאכְלוּ אֹתוֹ--מָתְנֵיכֶם חֲגֻרִים, נַעֲלֵיכֶם בְּרַגְלֵיכֶם וּמַקֶּלְכֶם בְּיֶדְכֶם; וַאֲכַלְתֶּם אֹתוֹ בְּחִפָּזוֹן, פֶּסַח הוּא לַיהוָה.  יב וְעָבַרְתִּי בְאֶרֶץ-מִצְרַיִם, בַּלַּיְלָה הַזֶּה, וְהִכֵּיתִי כָל-בְּכוֹר בְּאֶרֶץ מִצְרַיִם, מֵאָדָם וְעַד-בְּהֵמָה; וּבְכָל-אֱלֹהֵי מִצְרַיִם אֶעֱשֶׂה שְׁפָטִים, אֲנִי יְהוָה.  יג וְהָיָה הַדָּם לָכֶם לְאֹת, עַל הַבָּתִּים אֲשֶׁר אַתֶּם שָׁם, וְרָאִיתִי אֶת-הַדָּם, וּפָסַחְתִּי עֲלֵכֶם; וְלֹא-יִהְיֶה בָכֶם נֶגֶף לְמַשְׁחִית, בְּהַכֹּתִי בְּאֶרֶץ מִצְרָיִם.


The question that follows is "Why?" Why this framing of the 10 plagues in blood? What message lies in this pronounced use of parallelism?


The Plague of Blood



We recently discussed the Plague of Blood as symbolizing the blood of the Israelite children Pharaoh ordered thrown into the Nile. This comes within the broader context of events meant to elicit foreboding and even Horror on the part of Pharaoh and his servants. We have covered the plague of blood pretty well. What of the blood of the Pascal lamb, though?


Moshe at the Malon


Before we get there, lets first discuss the first reference to blood in Sefer Shemot. I'm referring, of course, to the incident at the inn when Moshe and his family are on their way to Egypt(Shemot 4).
 כד וַיְהִי בַדֶּרֶךְ, בַּמָּלוֹן; וַיִּפְגְּשֵׁהוּ יְהוָה, וַיְבַקֵּשׁ הֲמִיתוֹ. כה וַתִּקַּח צִפֹּרָה צֹר, וַתִּכְרֹת אֶת-עָרְלַת בְּנָהּ, וַתַּגַּע, לְרַגְלָיו; וַתֹּאמֶר, כִּי חֲתַן-דָּמִים אַתָּה לִי. כו וַיִּרֶף, מִמֶּנּוּ; אָז, אָמְרָה, חֲתַן דָּמִים, לַמּוּלֹת.

After circumcising her son and thus saving Moshe's life from God's Angel, Tzipora calls God "Groom of Blood to the Circumcised".

We already noted previously the parallel between this passage and Yaakov wrestling with the Angel, but now let us note the difference between the passages. Here Moshe fails to overcome his heavenly attacker. Instead, he is only saved by the blood of his son's circumcision, by continuing to pass on Abraham's covenant with God.


Circumcision and Pesach


So why talk about Moshe at the inn? The reason is that this passage is itself connected to the blood of the Pascal lamb in a few ways:
  1. Both portray Jews being saved from God's angel by ritually spilled blood
  2. Moshe's own arc parallels that of the plagues. Like many less fortunate infants, he is left in the waters of the Nile(blood), he emerges from them alive(frogs-locusts), he kills an Egyptian(locusts-killing of firstborn). As such, Moshe's experience at the inn is a fitting parallel for the pascal lamb.
  3. As Rav Yoel Ben-Nun points out( איזה ילד לא נימול ומדוע, תורת עציון על ספר שמות), the mitzva of the Passover sacrifice is related to the mitzva of circumcision. There is a rule that that the uncircumcised may not partake of the Passover sacrifice(Shemot 12)


מח וְכִי-יָגוּר אִתְּךָ גֵּר, וְעָשָׂה פֶסַח לַיהוָה--הִמּוֹל לוֹ כָל-זָכָר וְאָז יִקְרַב לַעֲשֹׂתוֹ, וְהָיָה כְּאֶזְרַח הָאָרֶץ; וְכָל-עָרֵל, לֹא-יֹאכַל בּוֹ. 

What emerges from this association is the idea that, like Moses at the malon, Israel's firstborn are only saved from the 10th plague due to their continued participation in Abraham's covenant with God i.e. by partaking of the Pascal Lamb in Egypt, and presumably because they are themselves circumcised.

 

 Blood of Retribution, Blood of Redemption


Having now thoroughly dissected blood as it appears in the first plague and the last, let us return to our original question. What message lies within this gory framing of the 10 plagues.

One answer that comes to mind is a message of reward and punishment. Blood that is spilled in sin awakens God's awful punishment, as experienced by the Egyptians. Blood spilled in God's service awakens Gods glorious redemption, as experienced by the Children of Israel.
That's if we merely contrast the two bloods, but I would claim the text also invites us to draw a comparison. The children of Israel showed their allegiance to the God of Abraham through circumcision and the highly public sign of smearing the blood of the pascal lamb on their doorposts. In doing so, they are giving meaning to the otherwise senseless deaths of their infants, thrown into the Nile by order of the Pharaoh. In declaring publicly our commitment to God, the epitome of our oppression in Egypt becomes an essential part of the story of Israel's Redemption, the story of how God's holy nation was born.

On a final note, Yechezkel refers to these two bloods that bore us when he says(chapter 16)

ה לֹא חָסָה עָלַיִךְ עַיִן לַעֲשׂוֹת לָךְ אַחַת מֵאֵלֶּה לְחֻמְלָה עָלָיִךְ וַתֻּשְׁלְכִי אֶל פְּנֵי הַשָּׂדֶה בְּגֹעַל נַפְשֵׁךְ בְּיוֹם הֻלֶּדֶת אֹתָךְ. ו וָאֶעֱבֹר עָלַיִךְ וָאֶרְאֵךְ מִתְבּוֹסֶסֶת בְּדָמָיִךְ וָאֹמַר לָךְ בְּדָמַיִךְ חֲיִי וָאֹמַר לָךְ בְּדָמַיִךְ חֲיִי

Sunday, 24 January 2016

Amphibious Horrors and Zombie Moses


We recently discussed the Plague of Blood as symbolizing the blood of the Israelite children Pharaoh ordered thrown into the Nile. Now let's move on to the next plague, the Plague of Frogs.

God's Hand in Events


The plague of frogs is also centered around the Nile. The frogs come out of the Nile and fill the land(Shemot 7)

  כח וְשָׁרַץ הַיְאֹר, צְפַרְדְּעִים, וְעָלוּ וּבָאוּ בְּבֵיתֶךָ, וּבַחֲדַר מִשְׁכָּבְךָ וְעַל-מִטָּתֶךָ; וּבְבֵית עֲבָדֶיךָ וּבְעַמֶּךָ, וּבְתַנּוּרֶיךָ וּבְמִשְׁאֲרוֹתֶיךָ.

This, the leading verb שרץ, recalls the verse in the first chapter of Shemot that describes Israel's rapid propagation despite Egypt's mistreatment of them.

ז וּבְנֵי יִשְׂרָאֵל, פָּרוּ וַיִּשְׁרְצוּ וַיִּרְבּוּ וַיַּעַצְמוּ--בִּמְאֹד מְאֹד; וַתִּמָּלֵא הָאָרֶץ, אֹתָם.

The basic message here for Pharaoh and the Egyptians is clear. Just as the frogs bursting forth from the bloody Nile is God's doing, so too Bnei Israel's resilience in the face of Pharaoh's decrees is his work. This is in answer to Pharaoh's statement in Chapter 5 that he doesn't know who God is:

ב וַיֹּאמֶר פַּרְעֹה--מִי יְהוָה אֲשֶׁר אֶשְׁמַע בְּקֹלוֹ, לְשַׁלַּח אֶת-יִשְׂרָאֵל:  לֹא יָדַעְתִּי אֶת-יְהוָה, וְגַם אֶת-יִשְׂרָאֵל לֹא אֲשַׁלֵּחַ.
The two subsequent plagues, those of Lice and Wild animals, seem to be along the same lines, with Hashem sending swarms of other unwanted animals throughout Egypt.

Day of the Frogs


That's said, there's another level. When the plague of Frogs is withdrawn(Shemot 8), all of them die and the smell of death and decay fills the land.

י וַיִּצְבְּרוּ אֹתָם, חֳמָרִם חֳמָרִם; וַתִּבְאַשׁ, הָאָרֶץ

This is similar to the stink of dead water animals from the Plague of Blood in the previous chapter.

כא וְהַדָּגָה אֲשֶׁר-בַּיְאֹר מֵתָה, וַיִּבְאַשׁ הַיְאֹר, וְלֹא-יָכְלוּ מִצְרַיִם, לִשְׁתּוֹת מַיִם מִן-הַיְאֹר; וַיְהִי הַדָּם, בְּכָל-אֶרֶץ מִצְרָיִם.

The picture that emerges reminds us of a classic Gothic Horror novel. A terrible past, thought long buried, remains alive, fermenting, waiting to reemerge in all it's Horror. Each plague carries with it reminders of Pharaoh's victims, as of yet unavenged, and a sense of foreboding that hangs over Egypt.

To quote Gothic Literature professor Jack W. Shear:

The Present is Haunted by the Past
When Hamlet's father tells him that "the time is out of joint," he essentially codified the most important convention of Gothic literature: something horrible happened in the past and the reverberations from that event continue to haunt the present. The idea of haunting is central to the first Gothic novel, Horace Walpole's The Castle of Otranto: the usurpation of the throne generations ago has resulted in both a tyrant acting as prince and the intrusion of specters from the past into the present. The fictions that followed Walpole's Gothic mode applied that convention as a tenet of faith. 

Zombie Moses


It's also worth noting that Moshe's own personal arc reflects these two plagues. Isn't it strange that Moshe's loving sister puts him in a basket in the very river Pharaoh's decree would have him thrown into? She is fulfilling the decree in a literal sense, if not in spirit.

Then Pharaoh's own daughter saves the baby, pulling him alive from the waters of the Nile, waters that have seen the deaths of so many similar infants. And what does she call him? She names him after this very fact that he was tossed in the river but then saved from death's clutches.

י וַיִּגְדַּל הַיֶּלֶד, וַתְּבִאֵהוּ לְבַת-פַּרְעֹה, וַיְהִי-לָהּ, לְבֵן; וַתִּקְרָא שְׁמוֹ, מֹשֶׁה, וַתֹּאמֶר, כִּי מִן-הַמַּיִם מְשִׁיתִהוּ.

How ominous must it be for Pharaoh that these plagues, hinting doom for him because of his Evil decrees, are brought on by one named "From Out of the Waters I Drew Him". Moshe is the original Revenant, left for dead by Pharaoh's decree, yet coming back to deliver a message of unavoidable retribution.



Monday, 18 January 2016

Three Signs for Two Peoples

Let's take a look at the signs Moshe is instructed to give Israel as proof of his divine mandate(שמות ד):

א וַיַּעַן מֹשֶׁה, וַיֹּאמֶר, וְהֵן לֹא-יַאֲמִינוּ לִי, וְלֹא יִשְׁמְעוּ בְּקֹלִי:  כִּי יֹאמְרוּ, לֹא-נִרְאָה אֵלֶיךָ יְהוָה.  ב וַיֹּאמֶר אֵלָיו יְהוָה, מזה (מַה-זֶּה) בְיָדֶךָ; וַיֹּאמֶר, מַטֶּה.  ג וַיֹּאמֶר הַשְׁלִיכֵהוּ אַרְצָה, וַיַּשְׁלִכֵהוּ אַרְצָה וַיְהִי לְנָחָשׁ; וַיָּנָס מֹשֶׁה, מִפָּנָיו.  ד וַיֹּאמֶר יְהוָה, אֶל-מֹשֶׁה, שְׁלַח יָדְךָ, וֶאֱחֹז בִּזְנָבוֹ; וַיִּשְׁלַח יָדוֹ וַיַּחֲזֶק בּוֹ, וַיְהִי לְמַטֶּה בְּכַפּוֹ.  ה לְמַעַן יַאֲמִינוּ, כִּי-נִרְאָה אֵלֶיךָ יְהוָה אֱלֹהֵי אֲבֹתָם:  אֱלֹהֵי אַבְרָהָם אֱלֹהֵי יִצְחָק, וֵאלֹהֵי יַעֲקֹב.  ו וַיֹּאמֶר יְהוָה לוֹ עוֹד, הָבֵא-נָא יָדְךָ בְּחֵיקֶךָ, וַיָּבֵא יָדוֹ, בְּחֵיקוֹ; וַיּוֹצִאָהּ, וְהִנֵּה יָדוֹ מְצֹרַעַת כַּשָּׁלֶג.  ז וַיֹּאמֶר, הָשֵׁב יָדְךָ אֶל-חֵיקֶךָ, וַיָּשֶׁב יָדוֹ, אֶל-חֵיקוֹ; וַיּוֹצִאָהּ, מֵחֵיקוֹ, וְהִנֵּה-שָׁבָה, כִּבְשָׂרוֹ.  ח וְהָיָה, אִם-לֹא יַאֲמִינוּ לָךְ, וְלֹא יִשְׁמְעוּ, לְקֹל הָאֹת הָרִאשׁוֹן--וְהֶאֱמִינוּ, לְקֹל הָאֹת הָאַחֲרוֹן.  ט וְהָיָה אִם-לֹא יַאֲמִינוּ גַּם לִשְׁנֵי הָאֹתוֹת הָאֵלֶּה, וְלֹא יִשְׁמְעוּן לְקֹלֶךָ--וְלָקַחְתָּ מִמֵּימֵי הַיְאֹר, וְשָׁפַכְתָּ הַיַּבָּשָׁה; וְהָיוּ הַמַּיִם אֲשֶׁר תִּקַּח מִן-הַיְאֹר, וְהָיוּ לְדָם בַּיַּבָּשֶׁת.

The three signs given are:
  1. Staff turned to snake and back again
  2. The leprous hand and it's healing
  3. Pouring Nile water to blood

Now let us consider Moshe's second meeting with Pharaoh, before which he is commanded to give a sign to the King of Egypt(שמות ז):

ח וַיֹּאמֶר יְהוָה, אֶל-מֹשֶׁה וְאֶל-אַהֲרֹן לֵאמֹר.  ט כִּי יְדַבֵּר אֲלֵכֶם פַּרְעֹה לֵאמֹר, תְּנוּ לָכֶם מוֹפֵת; וְאָמַרְתָּ אֶל-אַהֲרֹן, קַח אֶת-מַטְּךָ וְהַשְׁלֵךְ לִפְנֵי-פַרְעֹה--יְהִי לְתַנִּין.  י וַיָּבֹא מֹשֶׁה וְאַהֲרֹן, אֶל-פַּרְעֹה, וַיַּעֲשׂוּ כֵן, כַּאֲשֶׁר צִוָּה יְהוָה; וַיַּשְׁלֵךְ אַהֲרֹן אֶת-מַטֵּהוּ, לִפְנֵי פַרְעֹה וְלִפְנֵי עֲבָדָיו--וַיְהִי לְתַנִּין.  יא וַיִּקְרָא, גַּם-פַּרְעֹה, לַחֲכָמִים, וְלַמְכַשְּׁפִים; וַיַּעֲשׂוּ גַם-הֵם חַרְטֻמֵּי מִצְרַיִם, בְּלַהֲטֵיהֶם--כֵּן.  יב וַיַּשְׁלִיכוּ אִישׁ מַטֵּהוּ, וַיִּהְיוּ לְתַנִּינִם; וַיִּבְלַע מַטֵּה-אַהֲרֹן, אֶת-מַטֹּתָם.  יג וַיֶּחֱזַק לֵב פַּרְעֹה, וְלֹא שָׁמַע אֲלֵהֶם:  כַּאֲשֶׁר, דִּבֶּר יְהוָה.  {ס}  יד וַיֹּאמֶר יְהוָה אֶל-מֹשֶׁה, כָּבֵד לֵב פַּרְעֹה; מֵאֵן, לְשַׁלַּח הָעָם.  טו לֵךְ אֶל-פַּרְעֹה בַּבֹּקֶר, הִנֵּה יֹצֵא הַמַּיְמָה, וְנִצַּבְתָּ לִקְרָאתוֹ, עַל-שְׂפַת הַיְאֹר; וְהַמַּטֶּה אֲשֶׁר-נֶהְפַּךְ לְנָחָשׁ, תִּקַּח בְּיָדֶךָ.  טז וְאָמַרְתָּ אֵלָיו, יְהוָה אֱלֹהֵי הָעִבְרִים שְׁלָחַנִי אֵלֶיךָ לֵאמֹר, שַׁלַּח אֶת-עַמִּי, וְיַעַבְדֻנִי בַּמִּדְבָּר; וְהִנֵּה לֹא-שָׁמַעְתָּ, עַד-כֹּה.  יז כֹּה, אָמַר יְהוָה, בְּזֹאת תֵּדַע, כִּי אֲנִי יְהוָה:  הִנֵּה אָנֹכִי מַכֶּה בַּמַּטֶּה אֲשֶׁר-בְּיָדִי, עַל-הַמַּיִם אֲשֶׁר בַּיְאֹר--וְנֶהֶפְכוּ לְדָם.  יח וְהַדָּגָה אֲשֶׁר-בַּיְאֹר תָּמוּת, וּבָאַשׁ הַיְאֹר; וְנִלְאוּ מִצְרַיִם, לִשְׁתּוֹת מַיִם מִן-הַיְאֹר.  {ס}  יט וַיֹּאמֶר יְהוָה אֶל-מֹשֶׁה, אֱמֹר אֶל-אַהֲרֹן קַח מַטְּךָ וּנְטֵה-יָדְךָ עַל-מֵימֵי מִצְרַיִם עַל-נַהֲרֹתָם עַל-יְאֹרֵיהֶם וְעַל-אַגְמֵיהֶם וְעַל כָּל-מִקְוֵה מֵימֵיהֶם--וְיִהְיוּ-דָם; וְהָיָה דָם בְּכָל-אֶרֶץ מִצְרַיִם, וּבָעֵצִים וּבָאֲבָנִים.  כ וַיַּעֲשׂוּ-כֵן מֹשֶׁה וְאַהֲרֹן כַּאֲשֶׁר צִוָּה יְהוָה, וַיָּרֶם בַּמַּטֶּה וַיַּךְ אֶת-הַמַּיִם אֲשֶׁר בַּיְאֹר, לְעֵינֵי פַרְעֹה, וּלְעֵינֵי עֲבָדָיו; וַיֵּהָפְכוּ כָּל-הַמַּיִם אֲשֶׁר-בַּיְאֹר, לְדָם.  כא וְהַדָּגָה אֲשֶׁר-בַּיְאֹר מֵתָה, וַיִּבְאַשׁ הַיְאֹר, וְלֹא-יָכְלוּ מִצְרַיִם, לִשְׁתּוֹת מַיִם מִן-הַיְאֹר; וַיְהִי הַדָּם, בְּכָל-אֶרֶץ מִצְרָיִם.  כב וַיַּעֲשׂוּ-כֵן חַרְטֻמֵּי מִצְרַיִם, בְּלָטֵיהֶם; וַיֶּחֱזַק לֵב-פַּרְעֹה וְלֹא-שָׁמַע אֲלֵהֶם, כַּאֲשֶׁר דִּבֶּר יְהוָה.  כג וַיִּפֶן פַּרְעֹה, וַיָּבֹא אֶל-בֵּיתוֹ; וְלֹא-שָׁת לִבּוֹ, גַּם-לָזֹאת.  כד וַיַּחְפְּרוּ כָל-מִצְרַיִם סְבִיבֹת הַיְאֹר, מַיִם לִשְׁתּוֹת:  כִּי לֹא יָכְלוּ לִשְׁתֹּת, מִמֵּימֵי הַיְאֹר.  כה וַיִּמָּלֵא, שִׁבְעַת יָמִים, אַחֲרֵי הַכּוֹת-יְהוָה, אֶת-הַיְאֹר.

 The first and third signs are repeated again, in slightly different form, for Pharaoh:

  1. Staff turned to crocodile. Eats magicians' crocodiles
  2. (no second sign)
  3. Entire Nile turned to blood(the first of 10 plagues)

What is the meaning of these signs? What is the reason for the discrepancies between the Children of Israel's version of the signs and Pharaoh's version?

The First Sign


The first sign shown to Pharaoh, turning the staff to a crocodile, is parallel to the first sign shown to the Children of Israel, turning the staff to a snake. Rashi clearly understood it as such, so much so that he equates the word for "crocodile" to the word for "snake":

ויהי לתנין - נחש

The pasuk also seems to use the two words interchangeably. After turning the staff to a Crocodile in front of Pharaoh, it is referred to as .הַמַּטֶּה אֲשֶׁר-נֶהְפַּךְ לְנָחָשׁ

So assuming both signs turned the staff into the same animal, which was it? What we call a "snake" or what we call a "crocodile"?

I tend to think it was a crocodile. For one, the pasuk in Ezekiel 29 is suggestive of such.

 ג דַּבֵּר וְאָמַרְתָּ כֹּה-אָמַר אֲדֹנָי יְהוִה, הִנְנִי עָלֶיךָ פַּרְעֹה מֶלֶךְ-מִצְרַיִם, הַתַּנִּים הַגָּדוֹל, הָרֹבֵץ בְּתוֹךְ יְאֹרָיו:  אֲשֶׁר אָמַר לִי יְאֹרִי, וַאֲנִי עֲשִׂיתִנִי.
Sobek
Secondly, it may be that the Crocodile was a fitting symbol for for Pharaoh in the Egytian cultural context(see Josh Waxman's recent post in parshablog about the crocodile god Sobek.)


So let's go back and focus on the differences between the two signs. When the Children of Israel are shown the staff changing into a crocodile, it is referred to as a "snake", a symbol that should recall for them the primordial serpent of Eden, a sign for temptation and sin. Not only that, but it is a terrifying serpent, which Moshe flees from when he first sees it. What happens next? Hashem commands Moshe to overcome his terror and grab it by the tail, a surefire way to get bitten, but instead, as soon as Moshe grasps it, it returns to a harmless staff. This sign contains a dual message for the Children of Israel:
  1. Though they have fallen into sin, Hashem calls them to "grab the snake by the tail" and repent
  2. With God's help the terrifying Pharaoh may become as tame and inert as a stick

With Pharaoh's version of the first sign, on the other hand, the crocodile is simply called a crocodile, because the message of tshuva is not relevant to him. Not only that, but the second part of this sign is quite different from the one performed before the Children of Israel. Here, the Egyptian Magicians perform the same trick, but Moshe's crocodile devours theirs. Pharaoh and his servants are being given a different double message:
  1. Egypt's Magic is no match for Hashem's Power
  2. Kingship belongs to Hashem. Hashem put Pharaoh on the throne. He can just as easily bring another more powerful king who will devour him


The Third Sign

Since there is no parallel to the second sign, let's skip to the third for now, that of the waters of the Nile turning to blood. At the burning bush, the pasuk distinguishes between the first two signs and the third in it's ability to convince Bnei Israel:

ט וְהָיָה אִם-לֹא יַאֲמִינוּ גַּם לִשְׁנֵי הָאֹתוֹת הָאֵלֶּה, וְלֹא יִשְׁמְעוּן לְקֹלֶךָ--וְלָקַחְתָּ מִמֵּימֵי הַיְאֹר, וְשָׁפַכְתָּ הַיַּבָּשָׁה; וְהָיוּ הַמַּיִם אֲשֶׁר תִּקַּח מִן-הַיְאֹר, וְהָיוּ לְדָם בַּיַּבָּשֶׁת

Whereas the first two signs were meant to convince Bnei Israel of Hashem's willingness to accept their repentance, this third sign makes a more passionate appeal. It is as if to say "Here is the blood of your sons who were thrown into the Nile. If you won't listen to Moshe for your own sake, listen to him for the sake of your slaughtered children!"

Compare this powerful, but small-scale symbol with the plague of Blood, performed in front of Pharaoh. All the water in Egypt is turned to blood, all life in the Nile dies, and the Egyptians are reduced to digging for ground water. The message here to Pharaoh is that the very blood of the infants he ordered thrown in the Nile will be his undoing.

The Second Sign


Finally let us return to the second sign, that of the Leprous Hand, which has no parallel among the signs shown to Pharaoh. We already mentioned that the first sign contained overtures to Bnei Israel to do tshuva. They may feel discouraged, however, by how far they have fallen. The answer to this is the sign of the Leprous Hand and it's healing. This miracle demonstrates that Hashem has the power to heal us from our impurity.

This understanding also tells us why Pharaoh received no parallel sign in this case. The option of Repentance that is being extended to the Children of Israel is not being extended to Pharaoh and his nation, in this instance. Therefore his first sign was not called nachash and his second sign is absent completely. Rather, the message of tshuva is for Israel alone, while Pharaoh and his nation must be paid back in full for all the blood they have spilled.

Sunday, 11 January 2015

Cyberpunk Shemot

So, I’d like to offer a(somewhat longwinded) metaphor for how to understand Sefer Shmot and its relationship to Sefer Bereshit(be assured that the fact that I'm once again connecting Genre Fiction to the Parsha is purely incidental). Anyway, here goes...

The 1990 novel “The Difference Engine” is a collaboration between authors William Gibson and Bruce Sterling, of considerable influence. The novel depicts an alternative history, set in the Victorian Era, where the success of Charles Babbage's "Difference Engine" ushers in a new techonological age, with numerous social and political ramifications. The computer, the automobile, and many other modern innovations have come before their time, all of them running on a liberal dose of steam-power and clockwork.

All this is readily apparent to the uninitiated reader, who needs only read the plain meaning of the text. And yet, to a reader familiar with Gibson and Sterling’s other work, there is another layer to the novel, a subtext of a different nature entirely.

Gibson and Sterling are arguably the two biggest names in Cyberpunk literature. Their most famous stories take place in the near future, anticipating deeper levels of integration of technology in our lives and exploring the effects of such integration on the Human experience. Readers familiar with this literature, will find “The Difference Engine” is a text packed full of references to the authors’ earlier Cyberpunk work. In fact, while the undiscerning reader will consider this a rather humorless novel, written completely straight, the Cyberpunk aficionado realizes it’s actually a comedy, hearing the echoes of the authors workroom laughter tinkling in the background with every new joke: “hey look, this is what data-theft looks like in the Victorian Era!” or “instead of Hackers they’re called Clackers because of the sound their punch-cards make!” or even “Hey, remember the decadent Lady 3Jane? In this world Ada Lovelace would be her parallel!” And so, by presenting us with the same classic Cyberpunk tropes, but in vastly different circumstances, the authors present us with a rich subtext, entirely different from the basic text of the story.


Shemot and Bereshit



The same can be said for Sefer Shemot. On the surface, we have a straightforward story of the Jews’ slavery in Egypt and the miraculous redemption and exodus that Hashem brings about. And yet, there is another layer, a subtext in which Shemot is packed full of references to its predecessor. Some examples are the exile/redeption arc as well as Moshe's personal history leading up to his mission as redeemer:


ShemotBereshit
Yaakov descends from Canaan to Egypt with his 70 family members because of famineAbraham descends from Canaan to Egypt with his wife because of famine
Pharoh wants to kill the male Israelites and spare the females. His plans are thwarted by the midwives who fear God and those Israelites who hide their children away.Abraham is worried that the Egyptians will kill him and take his wife. He is spared by his claim that Sarah is his sister, and she is saved by Hashem’s direct intervention with Pharaoh.
Hashem afflicts the Egyptians with 10 plagues.Hashem afflicts Pharoh and his house with sickness.
Am Yisrael go up from Egypt with great wealth that they took from the Egyptians.Pharaoh gives Avraham great wealth and sends him out of Egypt.
Moshe risks all and kills the Egyptian to save his “brothers”.Abraham risks all and makes War on the 5 kings to save his kinsman Lot.
Moshe flees for his life from the Egyptians across the Jordan to Midyan.Yaakov flees for his life from Eisav across the Jordan to Haran.
Moshe arrives at a well, saves Yitro’s daughters from the other shephards, and ends up dwelling with their father and marrying one of them.Yaakov arrives at a well, helps Rachel water the sheep by rolling away the stone. He ends up dwelling with her father and marrying her and her sister.
Moshe returns from his exile at God’s command. "God" tries to kill him but he is saved by the circumcision of his son. His brother Aaron meets him.Yaakov returns from exile at God’s command. A mysterious man attacks him in the night and wrestles with him but Yaakov overcomes him. His brother Eisav meets him.


So here we see that, as with “The Difference Engine”, Shemot is full of references to a previous work. That said, while Gibson and Sterling provided their subtext for the entertainment of their fans, the question remains: What purpose does the subtext of Shemot serve?

This is a big question, that begs a detailed and thorough analysis of much of the text of Bereshit and Shemot. This blog post is not the place for such an analysis. That said, I would like to briefly offer one rather broad, sweeping, (overambitious?) answer.

To a large degree, Sefer Bereshit is the story of what worked and didn’t work in how Hashem relates to Humanity:

  1. At first Man is placed in a wondrous garden with all his needs provided. He immediately uses his freedom to rebel.
  2. Then Man is made to work for his sustenance. Mankind becomes so corrupted by theft that Hashem is forced to wipe everyone out and start over with Noach.
  3. Noach and his sons are given a more rigid structure of commandments. Humanity embraces idolatry.
  4. Finally, Avraham comes along with approach that he must uplift his fellow Man. Hashem chooses to support him and his descendants and in this way guide Humanity slowly to moral perfection.

Sefer Shemot constantly reinforces the thesis that Hashem has chosen to relate to Humanity in the way he related to the Avot. These scenes of the partriarchs, repeated time and again, form and reform until, at last, a pattern emerges. The stories of the Avot are not merely history, but archetypes for all that comes after. It is then that it dawns on us that the Creation story did not end with the first chapters of Genesis. After the physical creation was related, the Torah continued with the spiritual formation of the world as we know it. Why were the Jewish people chosen? Why was this nation of slaves takes out of Egypt and given over to the slavery of the service of God? Genesis tells us how the spiritual framework of this world was formed and reformed until at last the travails of one man and his descendants would set the stage for all that would come after.